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Though few of these were big box office performers, and critical reaction was mixed, he turned each of them into an “event” by wooing the press, throwing splashy events at international festivals such as Cannes, and relentlessly beating the PR drum. His family planned for him to take over its pasta manufacturing business, but the 17-year-old ran away to Rome and enrolled in the Cento Sperimentale di Cinematografia with plans to be an actor.He was so prolific his films were artistically all over the map, ranging from two Federico Fellini classics — “La Strada” (1954) and “Nights of Cabiria” (1957) — to “Death Wish” (1974) and “Serpico” (1973). His father cut off his allowance, but De Laurentiis persevered (he would eventually bring brothers Luigi and Alfredo into the business), working his way through school.Guinness delivers a performance whose attempts at subtlety are wholly defeated by the externals – wire-brush tache, gold-rimmed spectacles, white turban.Any one of these would look out of place on Guinness’s face.Along the way, there were plenty of crime capers, gangster movies and exploitation pics with such titles as “Kiss the Girls and Make Them Die” and “Goliath and the Vampires.” At the age of 22, he produced his first film, “L’amore canta” (1941), financed independently in Turin. The budding thesp soon moved behind the scenes, working as an assistant director and unit production manager. He built Dinocitta, a million state-of-the-art production facility outside Rome, in 1964, though it later went bankrupt.He founded Real Cine in Turin that year and became exec producer of Lux Film in 1942. In the mid-’90s he moved Stateside to make films and created De Laurentiis Entertainment.The first of De Laurentiis’ epic films was the 1956 “War and Peace,” directed by King Vidor and starring Audrey Hepburn and Henry Fonda. De Laurentiis also made gritty urban action films, including “Serpico,” “Three Days of the Condor” and “Death Wish,” which was a major success and spawned numerous sequels.

While she and Ernie wound up living together, Dylan hung over their relationship like a specter, endlessly flirting and, in time, digging at her relationship with his friend. As the flirtation progressed, Dylan introduced Shain to his ex-wife, Sara, and Shain presented herself as “Ernie’s girlfriend.” “ ‘Oh, Breeda,’ Bob sighs, shaking his head, as I’m halfway out the door, ‘you know that just isn’t true, at all.’ ” Much of the pleasure of this book comes from the funny, quirky, humanizing details Shain drops about the singer throughout. “Maybe I ought to get me a monkey,” said a dejected Dylan.and actress and writer Dorothy Bridges (née Simpson; 1915–2009). He has a younger sister, Lucinda, and had another brother, Garrett, who died of sudden infant death syndrome in 1948.His maternal grandfather was an English emigrant from Liverpool. At age 17, Jeff toured with his father in a stage production of Anniversary Waltz.At her best, no one can beat Redgrave for quivering emotional bravura with a core of steel. Redgrave's botched plea for our sympathies — she's all wispy straw hair and white corsets — has the unfortunate effect of making you want Mary's stay in Loch Leven Castle speedily precipitated — much more speedily than this listless and overlong historical catfight has in mind.Despite receiving an Oscar nomination as Best Actress, this is very much not her best. It's a case of the Academy rewarding the victim, not the victor. Nicole Kidman in The Human Stain (2003) Kidman, a tonal watercolourist from whom less tends to be more, does an awful lot of smoking in The Human Stain, and takes to these cigarette cravings like a fifth former showing off behind the bike sheds.This wastrel-angel delivers one particularly dubious monologue to a crow in a cage.